Reinoldus- und Schiller-Gymnasium

Q1 Draws The Curtain For “The Bard”: Showtime for Shakespeare

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In the last les­sons of this term, we — twen­ty stu­dents of the Eng­lish-LK and Mrs. Genau — acted out the “Ball­room Sce­ne“ from Shakespeare‘s play “Romeo and Juliet“.

Our LK dealt with Shake­speare: We read some of his plays, ana­ly­zed two son­nets but also wat­ched and inter­pre­ted film adapt­a­ti­ons. Having com­pared dif­fe­rent fil­mic ver­si­ons of the “wit­ches sce­ne“ from Shakespeare‘s “Mac­beth”, we final­ly deci­ded to act out a sce­ne from one of Shakespeare‘s plays our­sel­ves. In class we also lear­ned about the dif­fi­cul­ties and pro­blems when acting out Shakespeare‘s plays. Becau­se of that we deci­ded to give it a try and deci­ded on „Romeo and Juliet“.

From Pit to Stage

Ever­y­bo­dy knows that Shakespeare‘s lan­guage is dif­fi­cult but uni­que, the con­ver­sa­ti­on bet­ween Juliet and Romeo is puz­zling but magni­fi­ci­ent and the ball­room is glo­rious but magical.

Shake­speare hides his mes­sa­ge in the beau­ty of his plays like hiding a pre­cious dia­mond in a safe. How did we crack the code to trans­fer the ball­room sce­ne into a modern version?

Our first step was to divi­de the sce­ne into seven litt­le parts. Every group work­ed on their own sce­ne and beca­me young play­w­rights. The most essen­ti­al step was rewri­ting the sce­ne and adding stage direc­tions in order to make it under­stan­da­ble for today‘s audience.

The­se steps built the stairs to the stage.

From Cha­os to Art

The actors for our play were five vol­un­tee­ring stu­dents from our cour­se. The roles of Romeo, Juliet and Juliet’s nur­se were assi­gned first and all three roles were cast with girls. They star­ted by rea­ding the script and cho­se to prac­ti­ce the end of the sce­ne first. Thus, the actres­ses quick­ly beca­me com­for­ta­ble with their roles and imme­dia­te­ly star­ted thin­king about how to use their sur­roun­dings as a stage.

After some brain­stor­ming they alre­a­dy tried acting out the sce­ne. This pro­ved to cau­se some awk­ward­ness among the stu­dents. It was an unfa­mi­li­ar situa­ti­on and having to act out the role of two lovers mee­ting for the first time did not make it easier.

After a while of prac­ti­cing, all the mem­bers of the cour­se came to join them, as they moved to the audi­to­ri­um. With the help of our tea­cher we all put our ide­as on how to design the stage into effect. Despi­te the awk­ward situa­ti­on, the actres­ses per­for­med their prac­ti­sed lines in front of the enti­re class. Of cour­se, the per­for­mers had not memo­ri­zed their lines yet, so they used their ipads for some sup­port. After a first pre­sen­ta­ti­on and some feed­back from the class, two stu­dents were sup­po­sed to fur­ther sup­port and cri­ti­ci­ze the actres­ses in a fri­end­ly way.

The next step was to choo­se actors for the roles of Tybalt and Sir Capu­let. While Tybalt’s role was also acted out by an actress, Sir Capu­let tur­ned out to be the only man in the play. The sup­port­ing cast and our main cha­rac­ters went on to prac­ti­se their roles step by step. At this point, the situa­ti­on was no lon­ger too awk­ward, howe­ver the big­ger cast lead to more chal­lenges: How were they sup­po­sed to act out their roles and inter­act with each other wit­hout brea­king out into chaos?

Lucki­ly the­re was a lot of time to prac­ti­ce! By the time we per­for­med the play on stage, the cast knew most of their lines by heart. This made it easier to navi­ga­te the play. Final­ly, we deci­ded on which part would be acted out whe­re on stage. After a few attempts we mana­ged to pull off the play with no major com­pli­ca­ti­ons. And with this, our pro­ject was completed.

Ball­room Scene

The action takes place in the gre­at hall of the Capu­lets. The ser­vants work for the well-being of the guests as they enter the hall. Capu­let makes his rounds through groups of guests, joi­ning with them and encou­ra­ging all to dance. He turns towards his cou­sin in sur­pri­se as they rea­li­ze their last mas­ked ball has only recent­ly occur­red. While the cou­sins are con­ver­sing on the bal­c­o­ny, Romeo noti­ces a beau­tiful woman across the room and asks a ser­vant who she is. After recei­ving no ans­wer, he deci­des to wait after the dance is over to talk to her and con­fes­ses his love. Moving through the crowd, Tybalt hears and reco­gni­zes Romeo‘s voice and goes to tell his uncle (Capu­let), hoping he beco­mes furious, but he seems not to care and tells Tybalt to behave and lea­ves Romeo alo­ne. Romeo takes the risks and approa­ches Jui­let. They flirt with each other but are inter­rupt­ed by her nur­se. Jui­let wants her nur­se to find out who the young man is and she soon lear­ns t that the guy is her family‘s big­gest ene­my and her heart shat­ters into a mil­li­on pieces. 

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